This is something new for my blog, but if you enjoy discovering different corners of London—like I do—especially on days when a full countryside trip feels like a bit too much, yet you still want a change of scene, then you’re in the right place.

I’ve lived in North London for over twenty years, mainly in and around Muswell Hill (which I’d love to cover in a future post), and I’ve visited the neighbouring Crouch End many times. Below, I’ll share some of my favourite spots—but I encourage you to explore and form your own impressions.

I’d like to start by introducing the area a bit—just to give some background and context—but if you’re the sort who prefers to skip the history lesson and head straight for the pastries and pretty streets, I totally get it—just scroll down for walks, shops, and snacks. 😉


Let me start by giving you a quick sense of the place. Crouch End feels like one of those rare London spots that manages to be both lively and laid-back. It has the charm of a village, but it’s very much part of the city—full of history, personality, and a surprising number of famous faces.

At its heart stands the red-brick Clock Tower, built in 1895 to honour local reformer Henry Reader Williams. It still serves as a central meeting point today, surrounded by independent shops, cafés, and a steady flow of locals—writers tapping away on laptops, parents with buggies, dog-walkers, and artists on their way to nearby studios. Despite its Victorian grandeur, nothing here feels pretentious—it’s one of those places where people genuinely say hello to each other.

Although Crouch End doesn’t have its own Underground station, it once had a railway line, now long gone. But what it left behind is arguably better: the old track has been transformed into the Parkland Walk, a green corridor that weaves its way between Finsbury Park and Highgate Station, passing right through Crouch End. And I’m told that beyond Highgate, the route can take you even further—all the way to Alexandra Palace. It’s leafy, peaceful, and full of quirky details—and I’ll talk more about it further down, with some of my favourite photos included.

Crouch End has always drawn a creative crowd. Around 40% of locals work in creative industries, and it shows—from the artsy window displays and murals to the strong community of musicians, writers, and performers. Some of the many well-known residents past and present include James McAvoy, Caitlin Moran, Andy Serkis, Katherine Ryan, Tamzin Outhwaite, David Tennant, and Peter Capaldi. Even Gillian Anderson spent her early childhood here, and Samantha Fox grew up in the area. Reddit user mechtraveller also pointed out a great addition upon reading this post: Simon Pegg—whose cult classic Shaun of the Dead was partially filmed in Crouch End’s Weston Park. But despite all this starpower, it’s not a flashy neighbourhood—celebs blend in easily and the vibe stays chill and grounded.

If you’re a music lover, The Church Studios is a hidden gem with serious history. Housed in a former 19th-century church, it was transformed in the 1980s by Dave Stewart of the Eurythmics. It’s since hosted Adele, Beyoncé, Coldplay, Radiohead, U2, Madonna, Massive Attack, and more. And in true Crouch End fashion, there’s even a local legend that Bob Dylan once knocked on the wrong door, mistaking someone’s house for the studio, and ended up having tea with a surprised local. True or not, it’s exactly the kind of story that fits this unassuming, quietly fascinating neighbourhood.

Beyond the famous names and the artistic history, what really makes Crouch End special is its community spirit. The annual Crouch End Festival celebrates local arts and performance with pop-up events all over town. There’s the YMCA Fun Run in Priory Park, and the cosy Christmas market and lights on the Green each December. These are events run by neighbours, for neighbours, and they bring the whole area to life—without ever losing that relaxed, local feel.

🥐 My Favourite Bakeries in Crouch End

Crouch End is spoilt for choice when it comes to bakeries, but two places have absolutely stolen my carb-loving heart: Sourdough Sophia and Dunns Bakery. Both are very different, but each in their own way is a little slice of heaven.

Sourdough Sophia

If you love proper sourdough bread, you have to visit Sourdough Sophia. It’s a small independent bakery tucked away on Middle Lane, and their wholemeal loaves are just next-level. Their signature No 8 Sourdough is honestly perfection — crusty, full of flavour, and with that proper chewy texture that makes supermarket “sourdough” weep in shame. Every kind of bread I’ve tried from them has been excellent.

But it’s not just the bread. Each month, they dream up a fresh set of pastries, often with bold, creative flavours. I’ve had a Tiramisu Danish there that I still think about, and their cruffins are dangerously good. There’s a small seating area if you can’t wait to dive in, and they even offer online courses if you fancy learning how to recreate some of their bakes at home.

Sourdough Sophia started as a lockdown microbakery, and it’s still run by the founders, Sophia and Jesse. You can tell they pour their hearts into everything — the bakery has this lovely, warm energy about it, and you really feel like you’re supporting something local and meaningful.

Dunns Bakery

Now, if Sourdough Sophia is artisan and modern, Dunns is old-school bakery heaven — and I mean that in the best possible way. Located right on the Broadway, it’s been serving the community since 1946 (though the Freeman family started baking in the area way back in the 1800s!), and it still has that “family business” feeling. It’s the kind of place where everything smells amazing and there’s just a massive display of everything — breads, pastries, cakes, sandwiches and even great coffee.

My go-to is their low-GI multi-seeded bread, which I buy pretty much every other day. It’s delicious, healthy, and keeps well — which is saying something for bakery bread. But their real gem, for me, is the tiramisu. I know this sounds over the top, but I honestly think it might be the best I’ve had anywhere — including in Italy. I often bring it as a gift when visiting friends, and it’s always a hit.

There’s no seating area at Dunns, so it’s more of a pick-up-and-go spot, but that’s perfect if you’re grabbing treats before a walk through Priory Park or along the Parkland Walk (which I’ll talk more about later).

☕ My Favourite Cafés in Crouch End

Crouch End has no shortage of great cafés, but these three have become my go-to spots, each for slightly different moods. Whether you’re after an indulgent brunch, a peaceful corner to sip your latte, or just somewhere that really gets coffee, there’s something here for you.

Rosemary Café & Juicery

If you’re only visiting one café in Crouch End, Rosemary is a strong contender for the top spot. It’s elegant without being pretentious, full of greenery and soft lighting, and the food is the kind that makes you whip out your phone before your fork. Their brunch menu is easily one of the best in the area—both in variety and in how consistently good it is.

You’ll find all the classics here, but with extra flair. There’s shakshuka, eggs royale, or a Mediterranean-style plate called Medi Breeze, which comes with scrambled eggs, halloumi, olives, feta, and even molasses. Their Avocado & Greek Feta on Sourdough is a beauty, and I’m also a fan of their veggie breakfast.

If you’re in the mood for something sweet, go straight for the French toast — topped with banana, blueberries, strawberries, almond flakes, and clotted cream, it’s quite literally a dream on a plate.

But it doesn’t stop there — Rosemary also has a wide selection of fresh juices, smoothies, and shakes, and a separate menu with wraps, burgers, salads, omelettes, and even hot daily specials. It’s the kind of place where you can take your most health-conscious friend or your hungriest one and both leave happy.

A heads-up though — if you visit on a weekend, expect a packed house. It’s a family favourite, so there’s usually a fair bit of chatter, buggies, and the odd wailing toddler. The food is 100% worth it, but if you’re after something more peaceful, I’d recommend coming on a weekday or checking out one of the two quieter options below.

📍 11–13 Park Road, N8 8TE
🌐 rosemarycafe.co.uk

Coffee Circus

Tucked away at 136 Crouch Hill, Coffee Circus is a gem for coffee enthusiasts. Their passion for coffee is evident in every cup, and the funky decor adds to the unique experience. The atmosphere is laid-back and creative, making it a great place to unwind or catch up with friends. In my opinion, they serve the best coffee in Crouch End—a must-visit for any coffee lover.

📍 136 Crouch Hill, N8 9DX

Brunch on the Hill

Just up the road from the bustle, Brunch on the Hill feels like a calmer, more intimate retreat. It may not have quite the same theatrical presentation as Rosemary, but the food is lovely. The menu leans into Australian-inspired all-day brunch—fresh ingredients, bold flavours, and comforting staples with a bit of flair.

The staff are attentive and friendly, making you feel right at home. It’s an ideal spot for a relaxed meal, even on weekends when other places might be crowded.

📍 48 Crouch End Hill, N8 8AA

🍷 My Favourite Restaurant in Crouch End: Melange

Since I’ve already taken you through some of my favourite bakeries and cafés, I thought I’d highlight just one restaurant before moving on — though I do have one more food-related gem to share after this (cheese lovers, stay tuned). Otherwise, this post might start to look suspiciously like a full-blown culinary guide to Crouch End… tempting though that is!

Melange, located right in the heart of Crouch End, is a warm and stylish restaurant offering a blend of French and Italian cuisine with a Mediterranean soul. The menu is full of rich flavours, fresh ingredients, and the kind of dishes that linger in your memory long after the plate is empty.

One of my long-time favourites is their Mediterranean Tiger Prawns, served with toasted sourdough — simple, authentic, and beautifully done. Their calamari is also a must-try: light, crisp, and paired with a tartare sauce so good it deserves to be bottled. Honestly, I’ve tried a good number of dishes here and very few have ever let me down.

But the real standout for me — the thing that now defines our Sundays — is their relatively new Sunday Roast. Specifically: the Corn Fed Half Chicken Roast. We get it delivered almost every weekend now, and it’s become a bit of a ritual. The chicken is always perfectly cooked, the gravy rich and comforting, and the roast potatoes, which I usually find underwhelming in many roasts, are creamy and full of flavour. Even the Yorkshire pudding is spot-on — golden, crispy, and just the right amount of indulgent.

So if you’re looking for a proper meal — whether it’s a special dinner out or just an elevated Sunday lunch without lifting a finger — Melange is absolutely worth it.

📍 135 High Street, Crouch End, N8 8NG

🧀 The Most Dangerous Shop in Crouch End: Jumi Cheese

Crouch End is full of wonderful independent shops — you can pick up fine wine, flowers, health food, art, books (though, side note, the Waterstones really needs to improve their Mark Lawrence section), high-quality kitchenware, and quirky gifts. But let me introduce you to the one place that has truly caught me off guard… and possibly changed my entire view on cheese: Jumi Cheese.

Now, I’ve never been someone who was particularly into cheese. Sure, it’s nice on a board with crackers, or melted into something comforting — but I never saw it as a main event, let alone a dessert. And then I wandered into this Swiss cheese shop with its gorgeous interior, welcoming vibe, and friendly staff. I tried a sample of their Mountain Meadows cheese… and now I’m addicted. Truly. This shop is dangerous.

What makes their cheese so special is that it’s made from raw milk — which means it hasn’t been heat-treated the way most supermarket cheeses are. This allows the natural bacteria and enzymes to stay intact, giving the cheese a deeper flavour and a more complex character. It also means it may be easier to digest for some people and better for your gut — though of course, raw milk products aren’t recommended during pregnancy or for anyone with certain health conditions, so best to ask before diving in.

Jumi is based in Switzerland and produces their cheeses using traditional Alpine methods, from milk sourced from cows grazing in mountain pastures — which frankly feels like the most romantic origin story a cheese could have. Their offerings include a variety of hard, soft, blue, and raclette cheeses, each crafted with traditional methods that emphasize quality and flavor. Notably, their cheeses are produced without industrial processes, ensuring a unique taste experience. You may walk in curious, but you’ll likely walk out clutching a beautifully wrapped wedge and planning your next visit.

📍 57 Park Road, Crouch End, London N8 8SY
🌐 jumilondon.com


🚶‍♀️ Two Walks to Balance the Brunch

After all that bread, cheese, and tiramisu (no regrets), it’s only fair I recommend a little movement to go with all the indulgence. The good news is, Crouch End is perfect for that. Whether you fancy a quick reset or a longer ramble, there are a couple of easy, beautiful walking routes that let you explore the area properly — from its buzzy cafés and quirky shops to peaceful residential streets and green spaces.

The first walk is gentle and circular — about an hour depending on your pace and how often you stop to sniff roses, peek into shop windows, or photograph a squirrel mid-yoga pose. It’s the perfect way to take in the “village feel” of Crouch End while letting your food settle.

🌳 Walk 1: Clock Tower Loop via Park Road, Priory Park, and Middle Lane

Approx. 1 hour | Circular route | Easy walk

You can begin this walk in one of two ways — either from the Clock Tower, Crouch End’s central landmark, or after a satisfying meal at Rosemary Café, which is just up the street. Start heading north up Park Road, where you’ll pass an eclectic mix of shops, from boutiques to homeware stores and independent grocers. If you’re walking pre-lunch, this is the moment to stop by Jumi Cheese, the Swiss shop that may very well ruin supermarket cheese for you forever.

Once you’ve soaked in the shopfronts, turn right onto Lynton Road. Here begins the quiet residential stretch of the walk — peaceful, and filled with character. The houses here are mostly late Victorian and early Edwardian terraces, some with climbing vines, arched doorways, and intricate detailing. It’s the kind of area that makes you start daydreaming about moving in.

This tree-lined local favourite offers a peaceful contrast to the buzz of the high street — perfect for a gentle stroll, reading a book under the trees, or simply enjoying a moment of calm surrounded by greenery.

On the eastern side of the park, just off Middle Lane, you’ll find a striking ornamental fountain. Made of Lamorna granite (a distinctive Cornish stone known for its durability and speckled beauty), it was originally installed in 1880 outside St Paul’s Cathedral in central London before being moved here in 1909.

The fountain features the Arms of the City of London and was designed by Francis Cranmer Penrose. Once, it had a central vertical jet of water and four smaller jets spouting into the upper basin. It hasn’t been operational for many years, but its elegant form still gives the park a sense of character and quiet history.

Exit the park onto Middle Lane, which will take you south back toward the heart of Crouch End. If you’re in the mood for one last treat (let’s be honest, you probably are), stop by Sourdough Sophia for a loaf to take home or a pastry to share.

Where Middle Lane meets Tottenham Lane, you’ll spot Melange, the French-Italian restaurant I raved about earlier. From there, continue down Tottenham Lane, which offers more shops and cafés.

The walk ends right back at the Clock Tower, ideally with the feeling that you’ve both explored and recharged — exactly what a good city stroll should be.

🌿 Walk 2: Parkland Walk to Highgate Station

Approx. 30–40 mins | Linear route | Mostly shaded woodland path

If your idea of a perfect walk leans more toward whispering leaves than window shopping, then this one’s for you. The Parkland Walk is Crouch End’s green artery — a former railway line reclaimed by nature, transformed into a peaceful, slightly mysterious trail connecting the area to Finsbury Park in one direction and Highgate Station in the other.

You can absolutely do this on its own, especially if you’re craving a dose of woodland magic, but it also works well as a second leg to the Clock Tower walk, as long as you’re up for it.

Start again from the Clock Tower, then walk along Crouch End Hill (perhaps grabbing a pick-me-up from Dunns Bakery or Brunch on the Hill) and follow the signs toward the old Crouch End Railway Station, where the entrance to the Parkland Walk begins.

From here, the vibe shifts. You step off the pavements and into another world — a winding path lined with overgrown trees, ivy-covered walls, and layers of graffiti that pop out from the old brick arches. It’s like walking through an open-air art gallery that’s been slowly swallowed by a forest.

One of the most striking features is the sense of enclosure: for much of the route, you’re walking between two embankments, giving the feeling of being tucked into a gentle green trench. Occasionally, the path rises — taking you up and over small bridges, where you can peek out over rooftops or leafy side streets.

This route is also popular with dog walkers — see if you can spot the little explorer in one of my photos! There are several side gates along the way if you want to exit early or detour onto nearby roads, but it’s easy and rewarding to simply keep walking all the way to Highgate Station, where the route naturally concludes.

It’s a shady walk in the summer, a golden one in autumn, and peaceful year-round. Whether you do it with a friend or solo with a podcast (or just birdsong), Parkland Walk feels like a small escape — a reminder that even in London, nature finds a way.

✨ Final Thoughts

Whether you’re here for the cheese, the coffee, the culture, or the trees, Crouch End has a way of surprising you. It’s a place where quiet village charm meets creative energy, where you can grab a world-class tiramisu, stroll past graffiti-covered railway arches, and bump into a celeb buying oat milk — all in the space of an afternoon.

This post barely scratches the surface of what Crouch End has to offer — there’s still more I haven’t even touched on yet. But hopefully it gives you a taste of why I keep coming back, and why I think this North London pocket is worth exploring, whether you’re local or just passing through.

If you enjoyed this virtual wander, feel free to share your own favourite spots in the comments — or let me know if you try one of the walks! I’d love to hear what you discover.

Thanks for reading, and happy wandering. 🌸


🚇 Getting to Crouch End

Crouch End doesn’t have its own Underground station (yet another reason it feels like a hidden pocket of the city), but it’s still easy to reach:

  • 🚇 Nearest tube stations: Highgate (Northern Line), Wood Green (Piccadilly Line), or Finsbury Park (Victoria/Piccadilly + National Rail)
  • 🚆 By train: Hornsey and Harringay railway stations are both nearby and served by Great Northern trains from Moorgate and King’s Cross.
  • 🚌 Buses: The W7 from Finsbury Park Station drops you off right in the heart of Crouch End, by the Clock Tower. The W3, W5, 91, 41, and 210 also serve the area.
  • 🚶‍♀️ On foot: If you’re coming via Highgate Station, the Parkland Walk offers a scenic 20-minute stroll into the neighbourhood. Highly recommended!

🪄 Support a Fantasy Author (a.k.a. Toss a Coin to Your Bookish Bard)

If this blog post helped you plan a fun afternoon, discover a new favourite spot, or simply made you crave tiramisu (you’re welcome), there are two ways you can support my work:

☕ Buy me a coffee
Every “coffee” you send helps fuel my writing, blogging, and the eventual release of my sequel to A Gamble of Gods. Your support keeps this creative ship sailing and brings me closer to publishing my next book.
👉 buymeacoffee.com/mitrielfaywood

📖 Read my novel, A Gamble of Gods by Mitriel Faywood
This is a genre-blending debut that doesn’t sit quietly on any one shelf. It combines epic fantasy, sci-fi, fast-paced action, and a bold thread of romance.
You’ll follow three main characters — a rogue adventurer, a gifted scholar, and a troubled office worker — each from very different worlds, whose lives collide through a shared fate and a centuries-old secret order. Expect sword fights on galloping carriages, identity-shifting assassins, stolen magical relics, and enough plot twists to keep you guessing right up to the end.
It’s vivid, occasionally dark, and above all, an exhilarating ride with heart and humour.

👉 books2read.com/u/3nBWv9

Thank you so much for joining me on this Crouch End wander — and maybe even for stepping into one of my worlds, too. 🐉

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The second book in The Order Of The Dragon takes place in a city state, inspired by medieval Venice. The main plot is introduced by a very short prologue, which I’m not including in the excerpt below.

While I’m planning to write the second book in a way that doesn’t necessarily require you to read A Gamble Of Gods, if you’re planning to read it or just haven’t finished it yet, it’s best to do so first, before checking out how the sequel starts.

Chapter 1

Conor

The Republic of Demer, 12th The Month of Reaping, 1575

The men had followed us into the alley thinking they were going to take the girl from me. They were wrong – she was my gift to them.

You see, the two of us had a complex agreement. The core of the arrangement was that she should spend the nights with me. This had been her choice and she was never shy about specifying the things she wanted us to do. In turn, I got to select her outfits, her accessorises and even the shade of her hair. It was probably the closest I’d ever come to playing with dolls. This was our third night together and, in all honesty, I couldn’t remember the last time a woman had me this excited.

The dark alleyway stretched before us like a skilful courtesan. Accommodating, and full of possibilities. Candlelight peeked out between curtains in high windows where the inside world was still trying to hold on to today. The grey cobblestones felt smooth under my boots, undoubtedly polished by countless transactions too rough for the finer neighbourhoods of Demer. But what impressed me more was that the place didn’t even stink. Like an atmospheric parlour kept clean for dirty business, clearly favoured by the biggest bastards in town. Even the beggars didn’t dare to come in to piss.

‘You! Stop there!’ a deep voice called out behind us, making us turn. The brute of a man walked slightly ahead of the other two. He was bald, tall, well-muscled, and the naked aggression in his eyes made me want to step protectively in front of my dark-haired beauty.

‘Hand her over to us, pretty boy!’ he snarled.

‘Of course!’ I raised my hands in surrender. ‘She’s all yours, gentlemen!’

The guy stopped a few steps from us, cocking his head in surprise. A tattoo covered half his face, depicting a battle axe.

‘We’re going to have our way with her.’ A young copper-haired lad catching up with him on his right explained unnecessarily, flashing a wicked smile. ‘Deep and hard. Over and over again. Any way we like it. You will not interfere!’

‘I wouldn’t dream of it.’ I grimaced. ‘I’ll be just over there watching.’ I pointed at a few barrels set along the wall nearby.

‘You like watching?’ The third guy spat on the ground. A black eyepatch concealed one eye but the other stared at me with distaste.

‘I do,’ I confessed. ‘She can be very satisfying.’

The three men sniggered, sharing an amused look. 

‘Get her!’ Battle Axe tossed his head towards Selena, already undoing his belt. ‘I’ll go first.’

I forced myself to walk away while the two guys closed in, even as every fibre of me screamed to stay and shield her. I moved a rusty-bladed shovel out of the way and settled on top of a barrel, my eyes glued to the scene in front of me, my mouth suddenly dry, my heart in my throat.

Selena put up no resistance, letting herself to be touched, dirty hands eagerly familiarising themselves with her curves through her soft shirt and tight trousers, gripping her body from either side, attempting to hold her and undress her at the same time. Had our tora been around, this would have been undoubtedly the end of the exercise. Given that it was only the two of us however, I gritted my teeth and stayed where I was. I knew why she chose to let them do it. Now their hands were full and busy, their focus solely on parts that presented no danger to them, leaving their own bodies unguarded, and foolishly close.

She twisted suddenly, turning towards Wicked Smile, grabbing his shirt with both hands and leaning against him as her right heel connected with One Eye’s groin behind her. The distance between them was so short, the man staggered back, bending in agony as her leg extended into the full kick.

Selena pivoted slightly on her heel and glanced down to check that the ground behind her was clear, something she should have done ages ago, as she pushed herself still closer against Wicked Smile, unbalancing him further. The guy was so surprised he even followed her gaze to see what she was looking at, clearly clueless about what was about to happen next.

Selena fell back, pulling him with her, her right leg straightening towards his stomach in the process. She hadn’t timed the move perfectly though and her foot ended up a couple of inches lower, which could have turned into a problem, had she been any slower or her opponent heavier. Wicked Smile was a skinny youngster though, who was now helplessly flying over Selena, half-carried by the momentum, half-accelerated by the kick. A moment later he was on his back, clutching at his balls and groaning in pain. It was such a pleasing sight, that I decided not to deduct extra marks from her.”

Some say reviews are for readers, not for the authors. But they are wrong. Reviews are like fuel to me as a writer. They are what keep me going as I write book 2. The knowing that there’s a point to all this work. All that time and energy spent on creating something complex, like a witch working on an intricate and vibrant enchantment that in turn casts its own spell upon every reader, is in fact worth investing. Results may, of course, greatly vary, but when it all works as intended, there is magic.

I would encourage everyone who liked the book to leave feedback on Goodreads or Amazon, even if it’s just three words: “I enjoyed this.” They don’t only motivate other readers to give this book a chance, which is also important, but they also motivate me. Thank you!

And as hinted in the title, here’s an excerpt from a wonderful review which was posted on the Sci-Fi And Fantasy Reviews blog by Chris Meadows.

This is A Gamble of Gods, and it’s an absolute stormer of a debut, a charming, thrilling mix of science fiction and fantasy, where secret societies are running the universe behind the scenes, where a generations old conspiracy is unfolding, and where necromancy is as real, and as lethal, as a blaster bolt to the chest. But, to be up front about it, this isn’t a po-faced text, filled with dour warnings and po-faced protagonists. It’s a book filled with a rambunctious energy, a wry self-knowledge, and moments of on-the nose humour that made me laugh out loud more than once. It’s a book which isn’t afraid to dig into the emotional availability of its cast, to explore who they are, and why, and what they want; there’s romance woven between the self-revelations and swordfights, the kind that balances teasing and the gentleness of emotional understanding with a soupcon of raw desire and fierce passion. 

This is a book which isn’t afraid to wear its heart on its sleeve, and I kind of love it for that.

You can find the rest of the review here: A Gamble of Gods – Mitriel Faywood

Two things dominated my life this year. Starting a new job and self-publishing my book. Both of which nearly killed me, but surprisingly, I’m still here, after all.

At the end of last December, I was struck down with Covid, hardly able to get out of bed, wondering how the hell I was going to start a new job the following week? I knew my new job was going to be demanding but I had no idea just how demanding back then. At my probation review meeting much later, I actually confessed to my boss that I had found the first three months somewhat traumatic. At which point he laughed and said he had, too. I joined the live music industry at its busiest time, our ticket sales around the globe breaking all-time records following the previous years’ pandemic confinement. What can I say, it’s been a learning curve and there’s still so, so much to learn. Just as with book writing and publishing.

A Gamble Of Gods is the first book I’ve ever written, following one completed and one half-written short story that I had previously produced. Mark Lawrence often warned me not to expect too much from my first novel. Many authors write quite a few before managing something publishable. But just like at work, I have apparently exceeded expectations. And you might think this was meant to happen with a mentor like him. But it was actually very difficult. Especially when writing in a second language with aspirations high as the sky. To make things even harder for myself, I decided to mix genres and write in multiple first person. It was a riskier path to take, but I always knew I had some talent for writing. This was the time to find out how much.

Self-publishing came with its own challenges. There was so much to think about that I had never considered before. What size the book should be, what font should I use, how large, how much space between the lines, what should the cover be like, where should I get the copy-editing done, should I change my website, how do you upload a book onto Amazon, how do you format it for Kindle and what about for printed books, do I need to buy ISBN numbers, do I get ARCs made, who’s IngramSpark and why do you need those guys as well? And despite all your research, at every step you discover a couple of things you wish you would have known. Or done differently. Of course, none of it was cheap, either.

And don’t even get me start on the actual selling of the thing – the most frustrating aspect of it all. With the amount of books coming out every day it’s like swimming against the tide. A new, self-pub author, with a unique, genre-defying book that’s hard to find comparisons for. Forget identifying your market, it’s more like carving out your very own, one reader at a time.

But enough with the moaning! Let’s see what I managed to achieve despite these challenges!

Reviews are what keep me going. They are also what most motivate new readers to buy the book in my experience. And they are glorious. I’m very pleased to say that most people who read my book, enjoyed it very much. I collected a list of blog reviews with excerpts and links over at this page, so I’m going to quote here from a selected few which didn’t appear on blogs:

“A thrilling mashup of genres: fantasy, sci-fi, comedy and romance, all whipped together into something unique and an absolute joy to read.” – Adam, Goodreads

“Extremely well written book. unique mix of interesting worlds and concepts. The set of main characters are all fully engaging, flaws and all!” – Jana, Goodreads

“The writing manages to be beautiful and poetic while remaining filled with action. […] A lot of fun and a lot of witty banter, and it will have you smiling or laughing out loud for much of the book.” Katie, Goodreads

“This might be the most impressive debut novel I’ve read.” – Julie, Goodreads

“Great prose, and a pacy story you always want to turn the next page on. A surprisingly good ‘first novel’.” – Steve, Amazon UK

“I am not usually a big fan of SFF and prefer more high fantasy, however, Mitriel Faywood has changed my mind on that. I could not put this book down and afterwards I found myself in a slump and unable to read anything else because of the book hangover A Gamble of Gods left me in.” – Amy, Amazon UK

At the end of 2022, A Gamble Of Gods has a 4.42 average rating on Goodreads (24 ratings, 20 reviews) and a 4.8 on Amazon (8 ratings, 7 reviews (UK+US). These are tiny numbers, but given all the above, it’s not terrible. It confirms that the book is good, it just needs people to give it a chance. Which brings me to sales.

In 2022 (the book came out on 11/11/22) I sold 43 hardbacks online, another 50 through The Broken Binding bookstore, 28 paperbacks and 169 eBooks. Which is 290 books altogether. It doesn’t sound bad, but of course I receive a small fraction from each sale, most of the revenue being deducted for printing, handling and distribution and given the high upfront cost with self-publishing, I would need to sell thousands, just to break even. The book is also on Kindle Unlimited, but for some reason it’s completely lost in there, with only 5,170 pages read so far. Compared to what other self-pub authors are posting about their figures, this is truly terrible, and I will have to look into how I can improve that (change keywords? book description? cover?)

In the end, to stay pragmatic, I have to ask myself the question. Do I struggle on, or do I just give in and write something more traditional and commission a more conventional fantasy cover? And why not just change my name, profile picture and pretend to be a man while I’m at it. This could be so much easier. But fuck it! I do like a challenge, and I much prefer to create something new and unique than try to copy what other people are doing. It’s just like Elden Ring, that I finally found some time for during the last few weeks of the year. I die in the game practically in every two minutes, then I get up and try again. Another day without a review? Another day without a sale? Another post few people cared about? A giveaway with weak results? Failed advertising? You get up the next morning and try your best again. This monster is too big for us just yet? Run! We’ll come back to it later.

So, let me finish this blog post with a big THANK YOU to all those wonderful people who read and enjoyed A Gamble Of Gods! (Have you left a review? Did you tell all your friends to buy it? What about your enemies?) Don’t worry, I won’t let you down. I already started writing the second book and have received very positive feedback for the first few chapters from my beta reader, Mark Lawrence, who said it was much stronger than the first book. I promise you, in 2023 I will continue to do my best with it.

This book has taken me by surprise, and in a good way. All I had known about it before picking it up was that it was a well-written historical fantasy, blending Irish history and mythology, so I had a sort of general idea what to expect. I thought I would find it interesting, but didn’t expect to love it this much.

Shauna Lawless has an obvious passion for Irish history that shines through every chapter, effortlessly transporting the reader into a vivid, realistic representation of 10th century Ireland. But it’s her writing skills and talent which won me over, the tone of her storytelling bringing to mind books I had previously enjoyed from other authors, such as Philippa Gregory and Madeline Miller. Smooth, mesmerising, but with a dangerous, sharp edge to it, that is always ready to strike.

Writing the story from the point of view of two very different women, one power-hungry, selfish, devious, the other kind-hearted, caring, naive was a brilliant decision and done very well. I felt that on one hand we had Gormflaith, whose continuous scheming manipulated history and drove the plot, on the other Fódla, whose conduct was more reactive, resigned to her fate, up to a point where eventually her internal transition under external strains slowly reached a turning point. Both journeys were intriguing to follow.

The long lives of the members of the two mythical tribes, combined with hidden powers, and the grief they felt upon losing mortal loved ones gave me strong Highlander vibes, that fitted in with the traits of the medieval world remarkably well.

All in all, I would call The Children Of Gods And Fighting Men a very strong debut and I look forward to reading more books from this author in the future.

Doing a bit of sale this week!

A Kindle countdown deal means that the price will gradually increase during the week, starting tomorrow, so best grab it while it’s cheapest.

The paperback price should be also lowered in all counties where Amazon operates, some sites are a little slower to update, but I was told the new price should be reflected everywhere by tonight.

Spreading the word in any way is much appreciated.

Here is the link to: the Amazon UK site and to the US one.

Hope you’ll check it out! 🙂

Following Petrik Leo’s fantastic cover reveal blog post almost two weeks ago, I will now also feature the wonderful work of cover artist Karrah E and cover designer Shawn T. King below.

the eBook cover

I’m incredibly grateful to Karrah and Shawn for creating such a wonder for my book. Karrah graciously took the time to read a large portion of the manuscript to gain a good understanding of the characters before starting to show me her ideas. The end result is both fitting and captivating.

Shawn also put a lot of effort into trying to understand what vibe I was after and come up with something that went well with the artwork, too. What he eventually created blew my mind. He’s one of the very best designers out there, a master of his craft, whose creativity and skill shines through his work.

I’m very lucky to have such a talented and dedicated team supporting me and hope readers will share my delight in this cover.


the paperback cover

Praise for A Gamble Of Gods

“Faywood’s debut is an intriguing mix of fantasy and sci-fi elements that is sure to satisfy genre lovers on both sides of the coin. A sure-fire debut of the year candidate that needs to be on your TBR.” – FanFiAddict

“A Gamble of the Gods combines a vividly drawn world with whip-smart characters and a story that, simply put, grabs hold from the first page to the last.” – Sci-Fi and Fantasy Reviews

“A great mix of adventure, fantasy, sci-fi and romance.” – Lynn’s Book Blog

“Faywood’s prose flows smoothly, at times enjoying a lush description of scenery or a moment of character introspection, at others sweeping the reader along in the exuberant chaos of action as any setting becomes a potential combat zone,” – The Fantasy Hive

The dust jacket

Pre-order links for the eBook version are already up on Amazon, paperback and hardback will follow in the next few weeks. Find links here for Amazon UK and Amazon US.


The first review is already up on Goodreads. Mark Lawrence rated the book 5 stars and wrote:

A Gamble of Gods is a difficult book to describe succinctly, since I don’t know of a similar novel. It moves very definitely through fantasy and science fiction, mixing the two before your eyes. It’s an exuberant story that invites film analogies rather than book ones. There are definitely shades of Mission Impossible and Star Wars, along with maybe Tomb Raider and The Mummy. It also has a strong romance thread. So: an unusual beast with something for everyone.

I watched this book grow from chapter 1. The author has been my beta reader for the great majority of my books, proving to have great insights and advice. I’ve done my best to encourage her own endeavours in the field. So, I’ve beta read this book from page 1, long before it had a title. I’ve witnessed Faywood grow as a writer, and go back to apply those newly acquired skills to improve the earlier chapters even as she wrote the latter ones. All this in a language she wasn’t born to. A very impressive feat!

Let’s move on to the meat of the book:

There are three main point of view characters, all in the first person, which is again an unusual approach but one I’ve seen work well before and that works well here. It forms a close bond between the reader and each character in turn.

The three leads are from three very different worlds, one far future on a colonised planet, one on Earth (London to be more precise) just a decade or two from now, and one on yet another world, but this one pre-industrial. We have a university scholar, a stressed office worker, and a renowned explorer/thief of magical artefacts.

Our three threads start separately and begin to entangle, being woven into the tapestry of a much larger story and an older conflict.

Faywood brings these disparate scenes to life very well, with excellent descriptions of high-tech paradises, parties in near future London, and the bustle of near-medieval city streets. The developing relations between scholar, clerk, and thief are complicated and well-drawn.

Expect an exciting ride, whether it’s vicious murderers being chased down by killer robots, sword fights atop carriages rattling along at full gallop, or unholy monsters being battled in the dungeon depths. It’s not all thrills and spills, and when the book is not charging along at 100 mph, there’s plenty of time to enjoy the scenery, even to become emotionally involved with the characters and to feel for their plight when the story takes darker turns.

The story draws you into a complex plot that is nicely resolved whilst leaving plenty of potential for more tales to come.

It’s an exciting, imaginative, and well-written debut that feels different to the kinds of story I’ve read before. If my description interests you, then I strongly encourage you to give it a go.”

I remember when I was writing my short story, Framing And Entering, five years ago, sitting in the park in my lunch breaks with my phone, I kept wondering if it was any good. Now, that I’m on my second book, I find myself re-reading that story because I managed to hit the right tone for my character so well in places, I’m now using it to connect with his voice again.

At the time, I tried to write something grimdark, hoping it might get included in an anthology, (where the publisher said they would feature the best five submissions alongside popular authors of the genre), but my character was even back then just too cheeky and too much fun to be grimdark. I kept trying to darken the story and he kept pushing back.

Creating characters and finding their voices is not how I thought it might be. Sometimes it feels like they already exist and I’m just trying to connect with them, rather than creating them from scratch. Definitely true with Conor. Even five years ago he was pushing through the veil, wanting to be let into my world and set loose on the pages. A reader of the short story said “Tell me that’s not the last we’ll hear of Conor Drew!” One of my beta readers for the first book stated “Conor is just the best”.

Now I’m sure Conor’s grinning, – while I’m equally excited and nervous about writing an even better book than the first one was, – fully confident that it’s going to happen and thinking me silly to even hesitate.

Gosh, I can’t believe that I haven’t blogged here in two years! All I seem to be able to find time for lately are quick Instagram or Facebook updates.

But I really wanted to say that I finished reading the Of Blood and Bone trilogy by John Gwynne and enjoyed it! Everything in this world fits together flawlessly, like it hasn’t just been all made up by one person, but is an existing place formed by centuries, and the author is just telling you what happened there, as I imagine after dinner, around the fireplace of some grand hall, sipping ale.

There are epic battles and lots of them, full of vivid characters you care about and outcomes you’ll find yourself heavily invested in, both of which might only hit you and hit you hard when not everything turns out as you expected.

Epic fantasy at its best. If you haven’t read it yet, give it a go!
Truth and Courage! ⚔️

Recently I created a new Facebook group that I was hoping to focus on the more literary fantasy works of SFF. Mark Lawrence humorously named it as Literary Snobs of Fantasy.

If I’m not mistaken literary fantasy isn’t clearly defined anywhere however, which provided some uncertainty within the group when it came to book recommendations. I’m usually against labels and trying to shoehorn books into boxes but will endeavour to provide some guidance on what my views on the subject were when I created the group, hoping to spur and invite thoughts from others, rather than lay down rules set in stone.

To illustrate my point, I created this little scale here. The underlying principle is that books which are not literary have a strong focus on the first element (plot) of the novel or the first two (plot and world building), while literary books concentrate on the last four.

Just to be clear right at the start: A book being literary doesn’t mean it’s necessarily better, than a non-literary one. An amazing story told well, where the main focus is on telling that story and on not much else can easily be a great book and often a bestseller.

A book is always a mixture of these elements though. You can’t push the focus high on everything. If you push some of the lower categories too high, it will push back the plot for example. Talking a lot about how the characters feel or filling the pages with picturesque description or poetical musings will slow the story. Concentrating on various themes won’t leave enough space to develop intriguing storylines. The secret of any good book is often finding the right balance.

Considering another section of genre fiction, I’ve never particularly been a crime fiction fan. Yet, two of my all-time-favourite authors were writers of that genre. Sir Arthur Conan Doyle, who hasn’t just laid down some of the fundamental building blocks of modern crime fiction but introduced us to Sherlock Holmes’s wonderfully complex and intriguing character. This characterisation was very much part of why I fell in love with the stories in the first place.

My other favourite is Raymond Chandler. When I think about his books I feel that some of the lower buttons in my scale chart are pushed to the extreme right. Character. Prose. Human Condition. Yet Raymond Chandler adds literary content without turning the books into anything else than crime. He doesn’t “kill off” the genre, by overdoing the literary elements. Instead he makes it richer, better. And that’s exactly what literary content should achieve in genre fiction in my opinion. Not turning them into something unreadable by adding over-the-top flowery language, boring with focusing on descriptions and such too much. It should enrich our reading experience while still giving us a story of fantasy, crime, science-fiction or horror.

A few years ago I wrote a few thoughts on why the Broken Empire by Mark Lawrence felt literary to me. Below I will repeat what I said there as an example of fantasy being literary in my opinion as it’s relevant here:

In literary fiction characters generally come before the plot. While in fantasy literature we mostly get to know characters based on what they say and what they do, the dialogues and actions essentially becoming the plot itself, literary fiction also puts a heavy emphasis on what they think and how they feel, which often slows the plot. In The Broken Empire not only does the character come before plot but the plot in fact serves to illustrate/exercise the character.

The poetic, profound and masterfully crafted prose we find in the trilogy is also more of a ‘requirement’ of literary fiction, genre fiction readers being generally more interested in the story itself.

Finally, works of literary fiction are known to deliver a deeper reading experience, with themes depicting what it means to be human running under the surface of the plot. The characters undergo experiences which make the readers think and question certain aspects of life and with answers not provided they are expected to come to their own conclusions about them. In The Broken Empire one of these themes is how atrocities experienced in childhood may form the personality and how the person handles, grows around these hurts with time.

Children severely traumatized early in life do not easily bond with other people. They often cannot love or accept love, they can become children without conscience, who can hurt or even kill without remorse.

In The Broken Empire some of the questions we need to find our own answers for are whether such characters after all the violence and damage they caused on others might be still forgiven, whether they deserve any sympathy or at least, an understanding.

It’s also worth noting that while in The Red Queen’s War trilogy the plot gains a stronger position, the above elements still echo through it. The main character might be more shallow, rendering the prose less profound and philosophical, giving way to humour in turn, it is still very much character driven with much emphasis on the protagonist’s personality, –  both as a consequence of childhood experiences and as something to be further refined on the anvil of the story.